Skip to main content

[uagzu] Download Plinc Goliath fonts from House Industries

Plinc Goliath
Plinc Goliath Plinc GoliathPlinc Goliath



Vincent Pacella was a true giant of hand-lettering and typeface design. Of the dozens of styles he designed for Photo-Lettering and International Typeface Corporation, his dominant Goliath towers above the rest. The font is perhaps best known from Herb Lubalin’s American flag that the design legend created for Print magazine’s 40th anniversary cover. Pacella takes “slab” serif to heart with this colossally-proportioned font, using brawny stroke endings and minimal curves to create a powerful figure for maximum visual impact. Take advantage of Goliath’s superior stature to make viewers take notice in industrial settings, sports branding, and oversized outdoor media applications. For comparatively modest musings in accompanying running text, consider partnering it with a comparatively spartan slab serif like Municipal. Or, team up Goliath with a faceted fellow heavyweight like United Sans. Originally drawn in 1970, Goliath was digitized by Ben Kiel with Adam Cruz in 2011.


GOLIATH CREDITS:

  • Typeface Design: Vincent Pacella
  • Typeface Digitization: Ben Kiel, Adam Cruz
  • Typeface Production: Ben Kiel


Like all good subversives, House Industries hides in plain sight while amplifying the look, feel and style of the world’s most interesting brands, products and people. Based in Delaware, visually influencing the world.





Popular posts from this blog

Download Carot Display Fonts Family From Storm Type Foundry

Download Carot Display Fonts Family From Storm Type Foundry Carot Display is made for book covers and posters, but will also shine in advertising and visual identity. The whole Carot system is built up from what has long been around; in any case, it was the intention: to evoke the already experienced visual reminiscences of today's spectacled people. We all have a tendency toward sentiment, which, with each new diopter, deepens to melancholy. Only good font can calm us down. I believe in the raw effect of “Carot” typefaces. The superfamily of 64 members offers a modern alternative for all types of design work. Download Carot Display Fonts Family From Storm Type Foundry Download Now View Gallery

Download Troy Sans Font Family From Indian Type Foundry

Download Troy Sans Font Family From Indian Type Foundry Troy is a pair of related sans and serif titling fonts. Each version is available in a single weight. The fonts’ lowercase letters all take the form of small capitals. Particularly the serif font – simply called Troy – is reminiscent of inscriptional letterforms. This tip of the hat to the very origins of our Roman capital letters gives the typeface an immediate feeling of formality and solemnity. Troy Sans, while sharing Troy’s proportions, feels more contemporary – although its letters would not be out of place on an inscription, either. Each of the fonts contain several alternate letterforms. In Troy, some of the alternate letters contain a mystical feeling; in Troy Sans, the same alternates look almost medieval, particularly ‘A’, ‘E’, ‘G’, ‘a’, ‘e’, and ‘g’. Other alternate characters are more sober versions of the default letterforms: in their default state, for instance, the ‘O’, ‘Q’, ‘o’, and ‘q’ each ...

[zigrx] Download Cotford fonts from Monotype

Cotford New from the Monotype Studio,  Cotford  is a contemporary serif from Creative Type Director, Tom Foley.   Dynamic, adaptable, and surprising— Cotford  is a languid serif that ranges from delicate thins, bending and reaching like flower stems, to bold heavy weights that command the page and screen with confidence and vintage charm. And as a variable font,  Cotford  allows designers to explore and refine the design almost endlessly, unearthing its many visual tones and hidden secrets.    Foley set out to design a soulful, contemporary serif typeface that delivers all the versatility and robustness today's designers expect. The variable font unlocks an expandsive spectrum of visual expression that allows designers to explore, tweak, and adjust the typeface until they find the perfect weight, contrast, and optical size for their project....