Angela Yuryeva

TheAntiqua Although the members of the Thesis family have proven to work well as text faces, nothing beats a medium-contrast oldstyle for comfortable immersive reading. Hence TheAntiqua , an all-purpose text face whose name refers to the traditional Dutch/German word for oldstyle. TheAntiqua Download Now View Gallery

TheAntiqua Although the members of the Thesis family have proven to work well as text faces, nothing beats a medium-contrast oldstyle for comfortable immersive reading. Hence TheAntiqua , an all-purpose text face whose name refers to the traditional Dutch/German word for oldstyle. TheAntiqua Download Now View Gallery

TheAntiqua Although the members of the Thesis family have proven to work well as text faces, nothing beats a medium-contrast oldstyle for comfortable immersive reading. Hence TheAntiqua , an all-purpose text face whose name refers to the traditional Dutch/German word for oldstyle. TheAntiqua Download Now View Gallery

TheAntiqua Although the members of the Thesis family have proven to work well as text faces, nothing beats a medium-contrast oldstyle for comfortable immersive reading. Hence TheAntiqua , an all-purpose text face whose name refers to the traditional Dutch/German word for oldstyle. TheAntiqua Download Now View Gallery

TheAntiqua Although the members of the Thesis family have proven to work well as text faces, nothing beats a medium-contrast oldstyle for comfortable immersive reading. Hence TheAntiqua , an all-purpose text face whose name refers to the traditional Dutch/German word for oldstyle. TheAntiqua Download Now View Gallery

TheAntiqua Although the members of the Thesis family have proven to work well as text faces, nothing beats a medium-contrast oldstyle for comfortable immersive reading. Hence TheAntiqua , an all-purpose text face whose name refers to the traditional Dutch/German word for oldstyle. TheAntiqua Download Now View Gallery

TheAntiqua Although the members of the Thesis family have proven to work well as text faces, nothing beats a medium-contrast oldstyle for comfortable immersive reading. Hence TheAntiqua , an all-purpose text face whose name refers to the traditional Dutch/German word for oldstyle. TheAntiqua Download Now View Gallery

TheAntiqua Although the members of the Thesis family have proven to work well as text faces, nothing beats a medium-contrast oldstyle for comfortable immersive reading. Hence TheAntiqua , an all-purpose text face whose name refers to the traditional Dutch/German word for oldstyle. TheAntiqua Download Now View Gallery

TheAntiqua Although the members of the Thesis family have proven to work well as text faces, nothing beats a medium-contrast oldstyle for comfortable immersive reading. Hence TheAntiqua , an all-purpose text face whose name refers to the traditional Dutch/German word for oldstyle. TheAntiqua Download Now View Gallery

TheAntiqua Although the members of the Thesis family have proven to work well as text faces, nothing beats a medium-contrast oldstyle for comfortable immersive reading. Hence TheAntiqua , an all-purpose text face whose name refers to the traditional Dutch/German word for oldstyle. TheAntiqua Download Now View Gallery

Bahar Bahar was inspired by the playful-energetic nature of Cooper Black from Souvenir's soft but confident stance and was born from the idea of creating a new structure by blending this structure with calligraphic strokes. The title and body are presented in two sets for perfect results. Bahar has a wide variety of character alternatives to create the perfect and fun title. It offers calligraphic flavors with swashes, start-finish forms, and fun ligatures. Bahar Text is prepared for Body texts and offers a good reading experience. Does not include swash and style alternatives. Bahar consists of five weights, Bahar Text four, a total of nine weights, and 18 styles with true italics. For each weight, there is a complete set of open type features including ligatures, small caps, old-style and table numbers, and positional numbers. Bahar Download Now View Gallery

Download Wonder Fonts Family From Fenotype Do you sometimes have an appetite for a bit more wholesome typography? Do you find the ubiquitous sans serifs too industrial and bland in taste? Opt for something more organic: Wonder – a rootsy yet contemporary type family. With a deliciously juicy approach to serifs and a chunky texture, Wonder is a real treat among typefaces.  Despite its rustic flair, Wonder is perfectly adaptable for contemporary contexts from branding to packaging, mobile apps and beyond.  Savvy features such as multiple numeral styles (old style figures, tabular figures, subscript and superscript numerals), small capitals and swashes are included in all Wonder fonts.  Enjoy! Download Wonder Fonts Family From Fenotype Download Now View Gallery

Download Now Server 1 Download Now Server 3 Download Now Server 2 The TT Ricordi font family is a collection of three display heading serifs designed to significantly diversify the traditional font palette. Each font from the TT Ricordi family was drawn by a separate designer and has its own story. With that, all three fonts are close in thickness and similar in their character compositions and are featured in the uppercase set and the small capitals set, which replaces lowercase characters. The fonts have the broad support of Latin languages and support basic Cyrillic. The project originates from the pre-coronavirus tourist trips to Italy, during which our art director Yulia Gonina has accumulated many photographs of historical inscriptions and tablets. Many of these inscriptions had interesting character or unusual character shapes. We wanted to work with them,

Download Now Server 1 Download Now Server 2 Download Now Server 3 TT Marxiana is a project to reconstruct a set of pre-revolutionary fonts that were used in the layout of the "Niva" magazine, published by the St. Petersburg publishing house A.F. Marx. In our project, we decided to focus on a specific set of fonts that were used in the preparation and printing of the "Niva" magazine in 1887, namely its antiqua and italic, grotesque and elzevir. As part of the TT Marxiana project, we sought to adhere to strict historicity and maintain maximum proximity to the paper source. We tried to avoid any “modernization” of fonts, unless of course we consider this to be kerning work, the introduction of OpenType features and creation of manual hinting. As a result, with the TT Marxiana font family, a modern designer gets a full-fledged and functional set of different fonts, which allows using modern methods and using modern software to create, for example, a magazine in a des