Angela Yuryeva

BD Megatoya Overview of BD Megatoya Consists of 41 fonts, including nine upright, nine italics, nine extended, nine extended italics, all in nine weights from thin to black. 4 outline version in black weight. 1 variable with three axes (weight, width, slant). 1,470 glyphs in each font. Opentype features include small caps, stylistic alternates, ligatures, complete numeral figures, ordinal, case-sensitive forms. language support: Western European, Central European, and Southeastern European. About BD Megatoya Taking a geometric sans serif approach, we designed the letterform with details on round characters to pursue harmony and leave a slightly boxy feel to the extended style. The stylistic alternate is one of our concentrations to make them versatile yet still preserve consistency in stem and metrics to provide good readability in small text. Overall, the various treatments for each character will encourage each other to dynamic colours, flexible, and functional impressions in t

Lydia Sans Lydia Sans ™ is an elegant geometric sans serif with a charming profile and organic flow. Inspired by the clean typography of the 1920s, it's character and legibility make it suitable for any kind of text applications, from brand design to extensive text layouts. Lydia Sans ™ has 22 styles, variable font technology and its weight range spreads from hairline to ultra bold forms. Flexible and adaptable, it covers 230+ languages, including extended Latin, Cyrillic and Greek writing systems. With over 1300 glyphs per style, its Opentype features include alternative shapes, small caps, standard and discretionary ligatures, localised forms in Latin and Cyrillic, case sensitive forms, numerators and denominators, proportional and tabular figures, slashed zero, fractions and more. As a workhorse type system, Lydia Sans ™ is a sans serif for everyday use and a great choice for a wide range of applications. • Suggested uses: perfect for brand design, editorial design, web d

Brutalista Brutalista is a typeface inspired by the architectural brutalist style, which seeks to use the expression of raw or raw material. In graphic design it has been used to break rules and attract attention. His drawing has its roots in grotesque and neo-grotesque sources from the early twentieth century, but with a current style. It has a medium x height, clear counterforms, low contrast, which give it versatility and functionality. Peculiar cuts and drawings are also used in some characters, which give them personality It is an ideal font for headlines and brands, but also for when you need to present simple and clear information. Brutalista Download Now View Gallery

Lighters Lighters is a light and minimalist logo font family with unique lowercase that will make your logo and design looks more clean and simple. With three weight styles that you can use together will make your design more cool . You can use this font for any purpose, especially to make logotype and poster design. You can mix and match the uppercase and lowercase to make your logo more advanced. This font also comes with number, symbol, and multilingual support! Lighters Download Now View Gallery

Fason Fason is a decorative font family. Designed for use in the fashion industry, fashion magazines, branding and packaging. Fason is also perfect for wedding invitations, greeting cards and posters. It is also suitable for use in online activities. Fason contains basic and alternative stylistic sets, decorative swash initials & final forms, many useful Open Type features, as well as discretionary ligatures to decorate your design. Fason Download Now View Gallery

TT Ricordi Allegria Please note! If you need OTF versions of the fonts, just email us at commercial@typetype.org TT Ricordi Allegria is a sleek and intelligent contemporary Florentine grotesque inspired by the half-erased lettering in Basilica di Santa Croce, Florence. TT Ricordi Allegria was drawn by Antonina Zhulkova and reflects in its graphics the transitional stage between the classic serif with varying proportions, gravitating towards the Roman capital type, and the Florentine sans serif. The font is characterized by variability in the proportions of characters, contrast between strokes, wedge-shaped triangular characters, and the absence of traditional serifs. The main visual feature of the typeface is its diversity and the ability, using different stylistic sets, to completely change the character and perception of the typeface. The drawing of the characters from the main set is strict, thanks to which the font looks stern, as if the inscription in the font was really

Imagist The mystic sadness of the sight Of a far town seen in the night. Like the poetry movement of the early 20th century, from which the font takes its name, Imagist relies on the power of concrete images and brings an organic vibration to the words it forms. Imagist is a lively and decorative serif typeface with prominent features that appear especially in the letters K, R, M, N, W, V, k, w, v and y. Powerful ball terminals also bring recognizable attraction. Imagist contains six weights and corresponding Italics. Italics have a cursive-style letter s for as Stylistic Alternate. Old Style Numerals and Small Caps can be found in all cuts. Poem by T. E. Hulme. Imagist Download Now View Gallery